گیم‌پلی

گیم‌پلی (به انگلیسی: Gameplay) تعامل با یک بازی رایانه‌ای از طریق قواعدش است، به عبارت دیگر ارتباط بین بازیکن و بازی ویدئویی، رقابت کردن و مغلوب کردن چالش‌های بازی، طرح‌ریزی کردن و ارتباط بازیکن با بازی می‌باشد. روند بازی مجزا از گرافیک یا اجزای صدا است.

انواع

سه مؤلفه در گیم پلی وجود دارد: «قوانین دستکاری»، تعریف می‌کند که بازیکن در بازی چه کارهایی انجام داده می‌تواند، «قوانین هدف»، هدف بازی را تعیین می‌کند و «قوانین متا» تعریف می‌کند که چگونه یک بازی را می‌توان تنظیم یا تغییر داد. در بازی‌های ویدئویی گیم پلی را می‌توان به چند نوع تقسیم کرد. به عنوان مثال، گیم پلی گروهی شامل دو یا چند بازیکن است که در یک تیم بازی می‌کنند.

انواع مختلف گیم پلی در زیر فهرست شده‌اند:

جستارهای وابسته

یادداشت‌ها

↑ Manipulation Rules
↑ Goal Rules
↑ Metarules
↑ Asymmetric video game
↑ Cooperative video game
↑ Emergent gameplay
↑ Nonlinear gameplay

منابع

↑ Lindley, Craig; Nacke, Lennart; Sennersten, Charlotte (November 3–5, 2008). Dissecting Play – Investigating the Cognitive and Emotional Motivations and Affects of Computer Gameplay. Proceedings of CGAMES 08. Wolverhampton, UK: University of Wolverhampton. ISBN 978-0-9549016-6-0. Archived from the original on 2015-09-23. Retrieved 2010-10-04. The experience of gameplay is one of interacting with a game design in the performance of cognitive tasks, with a variety of emotions arising from or associated with different elements of motivation, task performance and completion
↑ Tavinor, Grant (اکتبر 5, 2009). The Art of Videogames. Wiley-Blackwell. ISBN 978-1-4051-8788-6. Archived from the original on February 23, 2017. Retrieved September 23, 2016. [T]he interactive involvement typically associated with videogames, that is, the activities that occur when one plays a videogame.
↑ Concise Oxford English Dictionary (11, Revised ed.). Oxford University Press, USA. August 11, 2008. ISBN 978-0-19-954841-5. gameplay (in a computer game) the plot and the way the game is played, as distinct from the graphics and sound effects
↑ Oxland, Kevin (2004). Gameplay and design. Addison Wesley. ISBN 978-0-321-20467-7. .. gameplay is the components that make up a rewarding, absorbing, challenging experience that compels player to return for more .. [Gameplay] does not come from a great visual character, not does it come from state-of-art technology and beautifully rendered art.
↑ Frasca, G (2003). "Simulation versus narrative: introduction to ludology". The Videogame Theory Reader: 221.

[5] Manipulation Rules

[6] Goal Rules

[7] Metarules

[9] Asymmetric video game

[10] Cooperative video game

[11] Emergent gameplay

[12] Nonlinear gameplay

[C-1] Lindley, Craig; Nacke, Lennart; Sennersten, Charlotte (November 3–5, 2008). Dissecting Play – Investigating the Cognitive and Emotional Motivations and Affects of Computer Gameplay. Proceedings of CGAMES 08. Wolverhampton, UK: University of Wolverhampton. ISBN 978-0-9549016-6-0. Archived from the original on 2015-09-23. Retrieved 2010-10-04. The experience of gameplay is one of interacting with a game design in the performance of cognitive tasks, with a variety of emotions arising from or associated with different elements of motivation, task performance and completion

[J-2] Tavinor, Grant (اکتبر 5, 2009). The Art of Videogames. Wiley-Blackwell. ISBN 978-1-4051-8788-6. Archived from the original on February 23, 2017. Retrieved September 23, 2016. [T]he interactive involvement typically associated with videogames, that is, the activities that occur when one plays a videogame.

[B2-3] Concise Oxford English Dictionary (11, Revised ed.). Oxford University Press, USA. August 11, 2008. ISBN 978-0-19-954841-5. gameplay (in a computer game) the plot and the way the game is played, as distinct from the graphics and sound effects

[D2-4] Oxland, Kevin (2004). Gameplay and design. Addison Wesley. ISBN 978-0-321-20467-7. .. gameplay is the components that make up a rewarding, absorbing, challenging experience that compels player to return for more .. [Gameplay] does not come from a great visual character, not does it come from state-of-art technology and beautifully rendered art.

[8] Frasca, G (2003). "Simulation versus narrative: introduction to ludology". The Videogame Theory Reader: 221.